Predatory publishers: avoid the ‘quick fix’

I received an email this morning from a student, sadly not my first (or last I suspect), asking me to help her work out if an offer she received from a publisher to publish her thesis was legit or not. As you may suspect, it was not. I receive these kinds of unsolicited emails all the time, to publish a paper I have written as a book, or to draw on my recent journal article in a keynote at a random conference about everything, or to turn a paper into a whole book. I delete them all. But, I have published enough (and have worked in academic publishing long enough) to smell a scam or predatory publisher/journal/conference when these emails arrive in my inbox.


But what of less experienced authors? How are they supposed to know that they are potentially being conned into giving their hard work away to a publisher who has zero academic credibility, and may well charge them large amounts of money to publish their work? So many early career researchers are under huge amounts of pressure to publish, and this can make them feel a bit desperate. When I tell first-time authors they may have to wait up to a year to see their paper in print, they freak out a bit, especially because they don’t yet have a conveyor-belt of papers in various stages of development, or a position with status that gives them breathing room. When a seemingly legit email arrives then, promising peer review and publication within 4-6 weeks of receiving the manuscript, it can be mighty tempting to send the paper there instead.

In part, researchers fall into the traps presented by predatory publishers, then, because of this insane pressure to publish (or risk losing a postdoc position, or a chance at a teaching job, and so on). In part, though, I think they fall into the trap because they think that a year-long (or longer) wait between submission and publication is ridiculous. I have learned, from working with people who have yet to publish, or have not published very much, that few people really understand journal waiting times, and what goes into them. Thus, when they are offered a chance to publish really quickly, they may jump at it, believing that the process can actually happen, credibly and with due care, in 6 weeks.

Most credible journals will indicate that it takes a minimum of 16 weeks/4 months to receive a response if your paper has been sent out for peer review. If your paper is rejected, you should hear within 4-6 weeks of submission. Papers are generally reviewed/read by an initial editor or editors, who may then assign an associate editor, who is knowledgeable about the topic you are writing about, to manage your paper. This editor then has to choose peer reviewers, and find at least two people willing and able to review the paper within the stipulated time frame – anywhere from 30 to 60 days. Many reviewers submit reviews late, and this can slow the process. After peer review, the editor then has to look at the feedback and reach a decision on your paper, before sending it back to you with comments and a decision. If your paper is rejected, you will need to start again with a new journal, possibly having to make changes and revisions first. If the reviewers recommend revisions, these can take up to 3 months to effect. The paper may then only go back to the editors for re-review, or it may go back to one or more of the initial reviewers. This again takes a few weeks or more. Then the paper has to be copyedited, returned to you for author checking, and then typeset before it can be published, online or in print. Any journal that tells you it can do all of this in 6 weeks is lying to you, and is certainly predatory.

This journal, published by a large international publisher, gives you a one example of a typical publication process. Most journals of repute do work hard to process papers within 9-12 months of submission, but busier, higher profile journals do have higher rejection rates, and longer wait times because of the volume of research they have to process. Based on research into average wait times for peer review, revisions, possible rejection and resubmission to a different journal, and so on, Editage has useful advice for you on how to prepare your own publication schedule here. There will always be exceptions – sometimes you get lucky: the reviews are positive, the revisions are minor and there’s a gap in an upcoming issue, and you get published within 6 months of submission of your paper. But this is not, unfortunately, the norm.

To work in academia these days is to publish, and share your research with your community of peers and fellow researchers. It’s not just about climbing a totem pole at your university, or scoring the right kinds of ‘credits’ – although (for now anyway) this is part of the ‘game’. I prefer to think of publishing my work as taking advantage of opportunities to speak to my colleagues, here and further afield, about research I am interested in, and think is important. I write papers I would like to read, and papers I think will help or interest or even inspire the people I work with. This motivates me to write papers that credible, well-read, well-respected journals in my field will be interested in. If you are motivated to share your work with readers like you, you will look to the journals you read, find useful and enjoy as possible places to publish your work. And these won’t be predatory, low-impact, no credibility journals.

Screenshot 2017-08-15 10.14.28

Publishing in journals requires patience, fortitude, a thick skin, and a realistic plan.  When those seemingly too-good-to-be-true emails pop into your inbox, spend some time Googling the so-called journal before you jump at a ‘quick fix’. Publish your work where it will be seen, read, engage your readers, and make an impact on your field. The waiting will be worth it.

Paper writing V: answering the ‘so what?’ question

Writing papers for publication means making and supporting strong arguments. This is hard work: making a firm, well-crafted and persuasive argument takes time. But this time is worth taking because this is the most important aspect of your paper. Without a strong argument, you do not have a contribution to knowledge. And if you don’t have that, you don’t have a publishable paper.

Making arguments is not necessarily as simply as just saying ‘This paper will argue that’, and then making that argument. You also need to locate the argument within the field it is making a contribution to. You need to show your readers why your argument is relevant, or important, and worth their time and attention. This is what is often termed the ‘so what?’ question.

If you have ever tutored, lectured or coached other writers, where you have had to read and give feedback on drafts of their writing, you may have some experience of working with this tricky question, and its answers. You are reading a draft of a paper and you get to the end, and it has been full of interesting information, but you wonder ‘So what? Why have I read all of this? What’s the point?’

The first part of the answer to the ‘so what?’ question of this is the actual argument: ‘This paper is claiming that X is the case…’. It takes time to whittle down all the things you could write about to one tight, well-formed argument you can express in one or two clear sentences. But simply making your argument on its own is not enough. If all you do is make your argument, without considering why you are making it, you run the risk of locking your research into a potentially narrow context, and thus limiting your readership. You need to think about your readers, your audience: who are they? What do you need to consider in terms of making your (focused) argument relevant to them? What would they be able to learn, or gain in terms of their own potential research (or practice)?

In asking, and findings answers to, these questions about relevance you can find your way to answering the second part of the ‘so what?’ question: ‘Why am I making this argument? What is my contribution to my field?’ This is really important, and usually included firmly in the conclusion to your paper. It is important to make this clear, and argue for the relevance of your paper to the field, because this clarifies for the reader how you believe you are making a contribution to knowledge, and why you believe this contribution is relevant or necessary. You make this claim on the basis of your reading of the field, your identification of a gap that needs to be filled, and the research you have done to fill this gap.

Thus, there are two parts to the ‘so what?’ question and both need to be clearly answered in your paper. You need to state, and make your argument, and then you need to tell your readers why that argument needs to be made, and what your research is contributing to your field: a critique, an innovation in theory or methodology, an additional empirical case that explains a current problem in a new way, and so on. To answer both parts of this question in your own papers, then, make sure you ask yourself what am I arguing for (or against) in this paper, and why is this important to my field at this point? Answering both, clearly, will help you ensure that your contribution to your field is well made.

Paper writing IV: analysing data

One of the trickiest areas for researchers working with data – either primary or secondary (data you have generated in ‘the field’, or that gleaned from texts etc) – is the analysis of that data. It can be a significant challenge to move from redescribing findings, observations or results, to showing the reader what these mean in the context of the argument that is being made, and the field into which the research fits. There are a few moves that need to be made in constructing an analysis, and these will be unpacked in this post.

Often, in empirical research, we make our contribution to knowledge in our field through the data we generate, and analyse. Especially in the social sciences, we take well-known theories and established methodologies and use these to look at new cases – adding incrementally to the body of knowledge in our field. Thus, analysis is a really important thing to get right: if all we do is describe our data, without indicating how it adds to knowledge in useful ways, what kind of contribution will we be making? How will our research really benefit peers and fellow researchers? After all, we don’t write papers just to get published. We conduct research and publish it so that our work can influence and shape the work of others, even in small ways. We write and publish to join a productive conversation about the research we are doing, and to connect our research with other research, and knowledge.

data 1

How to make a contribution to knowledge that really counts, though?

First things first, you can’t use all your data in one paper (or even in one thesis). You will need to choose the most relevant data and use it to further illustrate and consolidate your argument. But how do you make this choice – what data should you use, and why? The key tool used to make all the choices in a paper (or thesis) – from relevant literature, to methodology and methods, to data for analysis – is the argument you are making. You need to have, in one or two sentences, a very clear argument (sometimes referred to as a problem statement, or a main claim). In essence, whatever you call it, this is the central point of your paper. To make this point, succinctly and persuasively, you need to craft, section by section, support for this argument, so that you reader believes it to be valid and worth engaging with.

So, you have worked out your argument in succinct form, and have chosen relevant section of data that you feel best make or illustrate that argument. Now what? In the analysis section, you are making your data mean something quite specific: you are not just telling us what the data says (we can probably work that out from reading the quotes or excerpts you are including in the paper). To make meaning through analysis, you need to connect the specific with the general. By this I mean that your data is specific – to your research problem and your consequent choice of case study, or experiment, or archival search and so on. It tells us something about a small slice of the world. But, if all we did in our papers was describe small slices of the world, we would all be doing rather isolated or disconnected research. This would defeat the aim of research to build knowledge, and forge connections between fields, countries, studies and so on. Thus, we have to use our specific data to speak back to a more general or broader phenomenon or conversation.

data 2

The best, and most accepted way, of making meaning of your data is through theorising. To begin theorising your data, you need to start by asking yourself: What does this data mean? Are these meanings valid, and why? There are different kinds of theory, of course, and too many to go into here, but the main thing to consider in ‘theorising’ your data is that you need a point of reference against which to critically think about and discuss your data: you need to be able to connect the specifics of your data with a relevant general phenomenon, explanation, frame of reference, etc. You don’t necessarily need a big theory, like constructivism or social realism; you could simply have a few connected concepts, like ‘reflection’, ‘learning’ and ‘practice’ for example; but you do need a way of lifting your discussion out of the common sense, descriptive realm into the critical, analytical realm that shows that reader why and how the data support your argument, and add knowledge to your field.

Analysis and theorising data is an iterative process, whether you are working qualitatively or quantitatively. It can be difficult, confusing, and take time. This is par for the course: a strong, well-supported analysis should take time. Don’t worry if you can’t make the chosen data make sense in the first go: you may well need to read, and re-read your data, and write several drafts of this section of the paper (preferably with critical feedback) before you can be confident of your analysis. But don’t settle for the quick-fix, thin analysis that draft one might produce. Keep at it, and strive for a stronger, more influential contribution to your field. In the long run, it’ll be worth more to you,to your peers, and to your field.

Paper writing: opening with a strong abstract, title and keywords

The first thing fellow researchers read when they find your paper are the title and the abstract. They find your paper, often, by typing keywords into a database or search engine that match words in your title, abstract or keyword list. It is thus really important to spend time crafting these aspects of your paper carefully, as time spent getting them right pays dividends in the visibility of your work in keyword searches within your field.

Titles and keywords

To begin with, your paper needs a clear, descriptive and relevant title. Usually you have about 15-20 words for a title (check with the author guidelines of the journal you have targeted), and about 4-6 key words.

A first, useful, rule of thumb is to use all of these words strategically: don’t repeat words you use in the title in the list of keywords, and avoid acronyms, even well-known ones. Use the keywords to highlight elements of your argument or paper not referenced in the title. So, you really have a maximum of about 25-30 words to play with.

To begin with the title, a good starting place is to look at the title of papers you are referencing, and have enjoyed reading. What about the title caught your attention? The better paper titles indicate both what the paper is about, and something of the contribution the paper is making to the field. They are, therefore, relatively descriptive. They should be, really, because titles that are obscure, or only obliquely connected to the content of the paper will put readers off. Further, titles that try to be too catchy or clever may not contain the kinds of words researchers will type into search engines, resulting in your work being too far down the list (be honest, how often do you search past page 4 of Google Scholar?). Your work will be missed, and that would be a great shame considering all the work that went into publishing it.

A useful tool for crafting a title that balances a bit of catchiness with relevance and contribution is the subtitle. For example: ‘When arts meets enterprise: Transdisciplinarity, student identities, and EAP’ or ‘Chloroform fumigation and the release of soil nitrogen: A rapid direct extraction method to measure microbial biomass nitrogen in soil’. The first title marries a bit of fun with a focus on what the paper is about; the second uses the subtitle to indicate a method that the researchers are using to explore the phenomenon mentioned before the colon. Subtitles can also be used to sharpen the focus of your title, to create a limit or boundary to your research, to add additional context, or to expand on the scope of your research (See this article, and this one, for useful advice on title creation).

Use your list of keywords to add to the title: mention, for example, a key methodological tool (e.g. action research, or regression analysis) that researchers might be interested on, or the theory you have used (e.g. constructivism, or social realism), or key thinkers you draw on (e.g. Karl Marx, or John Rawls), and finally on the parts of your field the paper references that the title doesn’t mention (e.g. disability studies, or political theory). This should ensure good visibility for your published paper.

The abstract

The abstract, after the title, is the first thing researchers read of your paper. Often, given the current system of paywalls and needing access to databases or your library’s holding to find the full paper, it is the only thing people can read to decide whether they want to pay for it, or search harder for the free version. So, it is really important to craft a clear, persuasive abstract that makes them want to read more.

Barbara Kamler and Pat Thomson helpfully refer to the abstract as ‘the Tiny Text’: all of the relevant parts of your paper have to be in your abstract, in much abbreviated form, i.e. the focus of your paper, the argument it makes, the methodology, the main findings and the significance of those findings for your field. This is a tough ask when you often have only around 150-200 words for the average abstract.

A useful tool I learnt at a workshop from Lucia Thesen, and now use with postgraduate writers in my courses, is ‘the fairytale’. It goes like this, with you taking two sentences or so to complete each line.

  • Once upon a time people thought that…
  • But then I/we thought that…
  • So what I/we did was…
  • And what I/we found was…
  • This may change the way people think about…

This helps you create a gentle, narrative story about your paper, covering the main aspects of the abstract – the area of research you are locating your study within, the gap you have located, the way in which your research was conducted, your major findings, and what contribution your research could make to your field (related to the problem you are responding to).

Then you can recraft this into a more formal abstract, using Pat Thomson’s basic structure as a guide:

• ….. is now a significant issue (in/for).. because…. . ( Expand by up to one sentence if necessary)
• In this paper I focus on …..
• The paper draws on ( I draw on) findings from a study of… which used…… in order to show that….. (expand through additional sentences)
• The paper argues that….
• It concludes (I conclude) by suggesting that…

A useful thing to do is to read carefully the abstracts of the papers you are citing, and critique them against this basic guide: do you understand why this research has been done, and what it aims to achieve? Do you understand how it has been done and what the main findings are? Do you have a sense of what the research contributes to the field? It is interesting, and well-written? If any of these elements are missing, consider how the abstract could have been better written for you, as the reader/researcher. Then apply this reflection to your own abstract. Think about your readers carefully, and what they need to know to understand what your paper is arguing, where this argument fits into the field of research it is concerned with, how the research was conducted and what it found, and why the research matters. (See this article for useful advice on abstracts).

You should start your paper writing process with drafts of your title and abstract, to give you focus and a direction for the paper as a whole. But these drafts should be carefully revised again at the end, when your paper is finalised, to ensure that they are connected, and that the title, abstract and added keywords best reflect your research, and get it noticed, read, and hopefully cited.

Iterativity in postgraduate writing: making peace with the mess

Lovely husband and I were talking recently about a workshop we both attended on postgraduate study, and our respective conversations with our own postgraduate students about what postgraduate study involves them in, specifically the over-and-over again nature of the reading, writing and thinking. Iterativity, we concluded, is the name of the game at this level, and in post-doctoral academic research; yet, it is an aspect of working at this level that produces much frustration, self-doubt and struggle.

Ernest Hemingway famously said: ‘The first draft of anything is shit’. He was, certainly in my experience, right. If you look up writing advice on Pinterest, you will find many soundbites to inspire you; for example: ‘First drafts  don’t have to be perfect. They just have to be written’, ‘A crappy first draft is worth more than a non-existent one’, and writing first drafts as being like ‘shoveling sand into a box so that later [you] can build sandcastles’.  There is truth in all of these inspirational tips: first drafts are messy things: often incoherent in parts, full of both useful and useless information, lacking a proper focus. But, they are where we start any writing, and the key word here is ‘start’: writing is a non-linear, often chaotic, process, where we learn as we write, and our thinking develops with each round of feedback and revision.

This ‘logic of discovery’ is at odds, though, with the ‘logic of dissemination’ that we display in our finished thesis: the iterative process that produces the thesis is hidden from the view of the reader, as they are presented with our neat, polished, coherent argument. Many postgraduate students start their thesis process believing that these two logics are the same: that you start with Chapter 1, and the process unfolds neatly and logically from there. They become frustrated, then, when this turns out to be a lie:  when the truth is multiple drafts and mistakes, time spent writing paragraphs or pages of writing that have to be deleted when they are no longer relevant, and sometimes unexpected changes to your research questions, theory or methodology as the project evolves. This frustration can breed self-doubt if not carefully managed through supervision: many students believe that the more drafts you have to write, the worse you are as a writer; so many students I have met erroneously believe that the best writers don’t write that many drafts, and don’t make that many mistakes or revisions.

The opposite is the truth. The more successful writers, and postgraduate students, have learned to embrace the chaos and the frustration; they have learned to manage a balance between having a clear research plan and letting that process evolve so that they can still be surprised by what they find, or learn, as they write and work the data. This is a hard thing to do, live in a space where you know probably less than you don’t know, and where you have to be okay with the not-knowing, and move willingly between knowing and not-knowing over and over as your research moves forwards. This requires not just mental fortitude, but emotional resilience.

Researching and writing a thesis feels, at times, as if you are on a many-roaded route, trying to keep your eye on the GPS when it’s giving you more than one possible route and asking you to choose the best one to get you to your destination within minimal traffic and in good time. You may choose one route, and then find halfway you’ve made an error in judgement, and then choose to turnoff, and take a back road back to the main route you were on. There may be unexpected detours that the GPS didn’t know about and so couldn’t warn you of. You may feel like you are going around in circles at some points, and in a lovely, free-flowing straight line at others. A research degree, especially a PhD, represents a long road, with several possible routes to your destination. And it’s not a straight line. You may have to re-drive parts of the route at times, or try out different parts of the route than you expected to. But, if you try to trust the process, and make peace with taking your time and living with a bit of mess and non-linear chaos, you will hopefully get to your destination in one piece, and with a really good understanding of the area you’ve been driving around and around.

In research terms, this means getting more comfortable with the iterative nature of research, writing, and thinking. You cannot expect to write a chapter once, and be done. And you can’t expect to read something once and fully understand it, especially if it’s pivotal to your project, like theory. Writing multiple drafts, making mistakes, including knowledge and reading you don’t need along with that which you do, and making revisions that improve your writing, further your thinking and push your research forward is part and parcel of valuable, challenging postgraduate study that makes you a more capable researcher. Doing worthwhile research that pushes your field forward will require you to have a really firm understanding of that field, and the place your research can occupy within it. This means getting a bit lost sometimes, but having the means (through supervisors, peers, reading) to find your way onto your route again.

Terry Pratchett’s soundbite on first drafts is my favourite: ‘The first draft is just you telling yourself the story’. If you see your thesis as a story, evolving as the characters and plot take shape, and as the twists and turns reveal themselves through working with theory, methodology, data and analysis, it can be easier to embrace that uncertainty, and iterative rounds of writing, feedback, revision, and rewriting that push your research, and you as a researcher, forward. You start by telling yourself, and move to telling your supervisors, examiners and finally your wider audience – and you make a contribution that is valued and relevant. It won’t happen in a nice, linear way, but the depth of knowledge you gain, of your field and the research process, will be worth all the ‘driving’ in the end.